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A lunette-shaped panel composed of red, blue, white, brownish purple and yellowish brown stained glass joined together by lead cames depicting a seraph. Four leafy fronds, taken from another medieval window, have been inserted here between the seraph's head and shoulders. The panel is the upper half of a roundel originally installed in the west rose window of Reims Cathedral.
French (French (culture or style))
Seraph, half of a medallion from the west rose window of Reims Cathedral
1280 – 1310
Museum Purchase made possible by the Friends of the Museum of Art
1979/1.161
This image builds up from a densely packed lower foreground, comprised of a tree and sloping rooftops littered with chimneys. A church tower, surrounded by birds, rises against a blank sky in the top center of the image, forming an overall pyramidal composition that leads the viewer&rsquo;s eye up. The roofs of the houses in the foreground seem to waver with unevenly laid shingles, indicating that this is an old village. The church tower combines a gothic-style rose window and pointed arches with rounded windows and a much less ornately ornamented belltower, all more characteristic of Romanesque and Renaissance styles than Gothic.<br /> The style of etching combines both precise descriptive detail and more summary, sketchy renderings.&nbsp;Title in pencil, lower left of margin. Signed and dated in pencil right of center below platemark: &quot;John Taylor Arms, 1932&quot;.
John Taylor Arms (American (North American))
Église Saint Gervaise, Gisors
1932
Gift of the Marvin Felheim Collection
1983/1.174
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